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What is art?

What is art?

New Scientist article What is the difference between art and dance?

It’s not the question that the title suggests, but rather the fact that dance is not an artform, or even a discipline at all.

For many, the word dance simply conjures up images of dance studios, dance parties, and even dance competitions; it’s the absence of any real connection between dance and the practice of dancing that makes it so hard to define.

In reality, art and art history are intimately linked.

As we’ve noted previously, both art and the art world are often defined by the ways that they produce art, whether that’s through the creation of abstract paintings or paintings of contemporary artists, or through the work of a large number of individual artists working together.

While art is certainly an art form, its practitioners are not all artists, and the boundaries between art, art history, and art criticism are often blurred.

This is why we need to start talking about art in a way that is more concrete and contextualised, rather than the language of art history.

We need to make it easier for people to understand and understand the history of art, both from an aesthetic and philosophical perspective.

If we can do this, we’ll be able to find ways of moving beyond the idea of art as a ‘pure’ discipline and more towards the idea that art is a dynamic and constantly evolving body of work, with the history that it generates influencing and defining how people engage with art and how art becomes more and more popular.

We want to build a new understanding of what art is, and how it is produced.

In this essay, we will look at the history and practice of dance from the earliest beginnings of dance, through to contemporary practitioners of dance and its development into the modern dance movement.

We’ll examine dance from its earliest roots to the present day, as well as the many ways in which dance has been incorporated into our lives.

This will be a long, but important, look at how the history, practice, and impact of dance has shaped the art of dance.

References: 1.

Rizal, C. J. and R. E. Gorman.

The Early History of Dance.

Oxford: Oxford University Press, 2000.

2.

Riaz, R. A. and P. F. Pugh.

Dance at the End of the World.

London: Verso, 2000; ISBN 978-0-19-607976-5.

3.

Wachowski, David.

The Matrix.

New York: Warner Bros. Interactive Entertainment, 2002.

4.

Soderberg, Michael.

The Big Bang Theory.

CBS: New York, 2006.

5.

Zizek, Michel.

The Great Art of Not Giving a Damn.

New Haven, CT: Yale University Press and the University of Michigan Press, 1998.

6.

Ollstein, Paul and Robert J. Kaczynski.

“The Early History and Practice of Dance in China”.

The Journal of the American Art History Association 54 (2007): 2-23.

7.

Fechner, Paul.

The Modern Dance Movement: From Dance to Dance Music.

New Brunswick, NJ: Transaction, 1998; ISBN 0-90422-078-9.

8.

Pareto, P. and C. Féchter.

“From ‘Art’ to ‘Dance’: Towards a Historical Theory of Art”.

American Political Science Review 84 (2001): 1-27.

9.

Söderberg, Riz.

“What is Art?” in The Art of Art: An Introduction to Modern Art History.

Cambridge: Cambridge University Press; 1998.

10.

Zipperer, Daniel.

“Mining for the Future: the Art of the Art Museum.”

The New York Times, June 26, 2010.

11.

Søderberg.

“Art as the New Culture.”

New York Review of Books, June 24, 2010; ISBN 0073339084.

12.

Ritchie, David and S. Janssen.

“Dance and the Art Industry”.

The Art Institute of Chicago, 2006; ISBN 0380280182.

13.

Sartore, James.

“How Culture is Made: Making and Changing the Art World.”

New Statesman, February 6, 2009.

14.

Siewert, R., and K. W. Degenhardt.

“An Introduction to Contemporary Art History.”

New Directions in Art History 2 (1999): 515-532.

15.

Sowell, Stephen.

“Bibliography”.

American Historical Review 81 (1998): 391-401.

16.

Sowards, Robert and M. G. Jones.

“Making and Preserving Art: From the Industrial Revolution to the Modern Dance Revolution.”

New Perspectives in Art 21 (1999) 1-12.

17.

Stoddard, Peter.

“Why Dance?

The Story Behind the Dance”.

The New Yorker, January 24, 2002; ISBN 0186352081.

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